Released in 1938, Algiers was based on Julien Duvivier's
French screen adaptation of "Pepe le Moko". Boyer is Pepe, a master criminal
forced to remain in the sanctuary of the sinister Casbah quarter of Algiers, where
policemen dare not enter. He "holds court" in his domain, surrounded by
various unsavory characters, and his existence, although drab, is at least tolerable....until
a gorgeous woman (Hedy Lamarr) comes to the Casbah on a thrill-seeking visit.
The two are fascinated by each other, and enter into a secret affair. But Pepe
le Moko eventually cannot remain apart from her at all, and leaves the Casbah
in search of her -- forfeiting his safety with tragic results.
"Algiers" became a trademark film for Boyer -- much to his chagrin. It was a parody that became famous: the "great lovair" saying, "Come wiz me to za Casbah..." (A line he never says in the film.) He believed it created the impression that he was not a serious actor. "In America," he said, "when you have an accent, in the mind of the people they associate you with kissing hands and being gallant. I think this has harmed me, just as it has harmed me to be followed and plagued by a line I never even said."
Apart
from its star's dissatisfaction, "Algiers" is a good film, although not a great
one. Director John Cromwell credited Boyer with delicately pulling co-star
Hedy Lamarr through: "She had presence, but no personality. He sensed a lack
of confidence in her, which she sometimes revealed in a slight arrogance. He
acted with sincerity and with integrity, and she responded to it." Critics
almost unanimously declared her a deficient actress, and then spent long paragraphs
extolling her luxuriant beauty.
Algiers is an extraordinary mood piece, more European in flavor than any American film of that time. It was nominated for four Academy Awards: James Wong Howe's cinematography, Alexander Toluboff's art direction, Best Supporting Actor (Gene Lockhart), and...Boyer for Best Actor. Although he didn't win the Oscar (Spencer Tracy did, for "Boys Town"), Algiers established Boyer firmly as a "hot" Hollywood property.
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